UNESCO Director General Bokova on Protecting Cultural Heritage during conflict

Damage in Aleppo, Syria

In an op-ed for the IHT UNESCO Director General Irina Bokova discusses the damage done to cultural sites in northern Mali, Syria and elsewhere. She argues that "Culture stands on the frontline of conflicts, deliberately targeted to fuel hatred and block reconciliation." That's exactly right I think. The challenge will be what the rest of the world can do to prevent and repair this destruction.

She outlines the concrete steps UNESCO is taking: crafting an international legal framework, building stronger culture coalitions, and use culture to prevent conflicts:

Unesco works across the globe to harness the power of culture to bring people together and foster reconciliation. I saw this personally when Unesco helped restore the Old Bridge in Mostar, Bosnia Herzegovina, destroyed during the war in the 1990s. We saw the same power during the restoration of the Koguryio Tombs complex in North Korea, undertaken with the financial support of South Korea. This might sound high-minded compared to the terrible news we hear every day from conflict zones. And it is true that culture alone is not enough to build peace. But without culture, peace cannot be lasting. The world thought big when the convention was adopted in 1972. We need to think big once again, to protect culture under attack. We often hear that protecting culture is a luxury better left for another day, that people must come first. The fact is, protecting culture is protecting people — it is about protecting their way of life and providing them with essential resources to rebuild when war ends. This is why, for culture also, there is a responsibility to protect.

1. Irina Bokova, Culture in the Cross Hairs, The New York Times, December 2, 2012, http://www.nytimes.com/2012/12/03/opinion/03iht-edbokova03.html (last visited Dec 3, 2012).

More Bad News for Heritage in Mali and Timbuktu

Intentional destruction of an ancient shrine in Timbuktu in July

Destruction in Mali appears to be ongoing:

In the searing summer heat, and against a stifling climate of fear, the Ansar Eddine is ratcheting up the pressure. In late July the group gave the order for the city’s centuries-old Sufi mausoleums to be leveled, declaring them to be at odds with their own hardline blend of Islamic faith. A UNESCO World Heritage site, Timbuktu has for centuries been associated with Sufis, a mystical and spiritual fraternity, themselves closely connected with Islam. More than 200 Sufi saints are buried in free-standing mausoleums and within the compounds of mosques, tombs that have become the latest target of the Defenders of the Faith. Regarding them as idolatrous, the Islamist militia has taken hammers and shovels to their baked-mud adobe walls. They even destroyed a pair of ancient tombs set in the compound of the city’s celebrated Djingareyber mosque.

1. Tahir Shah, Trouble in Timbuktu, Newsweek Magazine, 2012,  (last visited Sep 5, 2012).

Troubling News of Destruction in Mali

This image taken from a video shows armed men smashing a
15th century mosque in Timbuktu on Monday

Members of an armed group in Northern Mali have committed a number of acts of destruction in Timbuktu and the surrounding areas. They have smashed the "sacred door" of one of three ancient mosques. As many as six other mausoleums have been intentionally destroyed. Intentional destruction during armed conflict presents difficult problems, and Mali has asked the international community for concrete assistance.

The first step is a threat by the ICC. The prosecutor of the International Criminal Court Fatou Bensouda has described this destruction as a war crime: "My message to those involved in these criminal acts is clear: stop the destruction of the religious buildings now. This is a war crime which my office has authority to fully investigate". Her claims may have an impact, but more other concrete steps may be needed to halt this intentional destruction.

The destruction mimics that which took place in 2001 when the Bamiyan Buddhas were destroyed. Extremist groups in Mali are systematically destroying sites. Perhaps urgent action by the ICC, or better yet the United Nations Security Council can halt this systematic destruction.

From Al Jazeera, here is a report showing the destruction:

1. Pascal Fletcher, Timbuktu tomb destroyers pulverise Islam’s history, Reuters, July 3, 2012, http://www.reuters.com/article/2012/07/03/uk-mali-crisis-timbuktu-idUSLNE86202G20120703 (last visited Jul 3, 2012).

Destruction and Looting in Syria

AP Photo of destruction in Homs

There are increasing reports of destruction in Syria. Sites like Krak des Chavaliers, Palmyra, Elba, and historic buildings in Homs are all at risk. Government forces in some cases are shelling civilian areas—the Citadel of Al Madeeq has been shelled, with a tragic result for the site and for the inhabitants.

The AP describes the damage: "shells thudded into the walls of the 12th century al-Madeeq Citadel, raising flames and columns of smoke as regime forces battled with rebels in March. The bombardment punched holes in the walls, according to online footage of the fighting."

There are reports of looting, including some by government forces and others. Rodrigo Martin, an archaeologist who has worked in Syria describes some of the destruction:

We have facts showing that the government is acting directly against the country's historical heritage,. . . What we know . . . Syrian heritage has already provided a huge quantity of information, but we can safely say that the part that has not yet been studied is even bigger,. . . [the destruction] is like burning a page in the book of history of mankind.

This kind of damage, which approaches intentional destruction similar to the destruction of the Buddhas at Bamiyan will be difficult to prevent. With respect to the looting and damage being done, sadly there are not a whole lot of good options the heritage community can call for, apart from a peaceful resolution of the conflict, and renewed vigilance in the marketplace to watch out for the kinds of objects which looters may be taking from Syria.

1. Syria’s Cultural Treasures Latest Uprising Victim, NPR.org,   May 1, 2012, http://www.npr.org/templates/story/story.php?storyId=151783292 (last visited May 3, 2012).

$150 Million worth of art in the trash?

Stolen to order?
Nature Mort au Chandelier, Fernand Léger, 1922

Last week it was reported that three individuals were arrested in connection with the theft of five works from the Musée d'art Moderne in Paris. The thefts took place in 2010 and there were reports that the museums alarms had been malfunctioning for months. Well the thieves may have had a very easy time stealing the art. There are reports that the five stolen works were destroyed, and that one of the works was stolen to order:

Detectives said that while they remained sceptical about his account, they could not "totally rule out" this catastrophic scenario. The destruction of such landmark masterpieces would be a major blow to international art heritage. The first to be arrested was a Serb known only as Vrejan T, 43, nicknamed "Spiderman" and who was detained days after last year's heist over a separate art theft from a chic Paris apartment. Under questioning, the suspect reportedly recounted how he loosened screws in a window at the Art Deco Palais de Tokyo housing the museum, returned a few nights later to remove the frame and sliced through a padlock on an iron grille. He had initially gone there only to steal a Léger work to order, he said, but once inside, was "surprised" when the burglary alarm failed to sound. Being a "veritable art lover," the Serb told police he then wandered around for another hour, eluding 30 closed circuit cameras to cherry pick four other masterpieces. "He found the Modigliani the most beautiful of all," a judicial source told the JDD. Vrejan T reportedly told investigators he had stolen the Léger for Jean-Michel C, 56, an antiques dealer with a shop called Antiquités Bastille. He was arrested in May for selling other stolen art works.

As a wise Museum Security Director once said: 'shit happens'. Lets hope this is the statement of a desperate defendant, and the paintings are still safe. This underscores the point that tracking down art thieves is a delicate proposition. They have a very big piece of collateral, in this case five important works of art. If you prosecute the thief too harshly, you run the risk of destroying what you were after. Of course the best way to prevent this destruction would have been better basic attention to security.

1. Henry Samuel, £100m masterpieces stolen from French museum “crushed by rubbish truck,” The Telegraph, October 9, 2011, http://www.telegraph.co.uk/culture/art/art-news/8816634/100m-masterpieces-stolen-from-French-museum-crushed-by-rubbish-truck.html (last visited Oct 10, 2011). 

The other stolen works:

La Pastorale, Henri Matisse, 1906

L'Olivier pres de l'Estaque, Georges Braque, 1906

The Pigeon with Peas, Pablo Picasso, 1911-12

La femme a l'eventail, Amadeo Modigliani